"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"One day I just decided to make one. And then it kind of clicked as a form. I would just say, “Let’s make this Hummel,” and then it would start forming and begin to abstract. It was something to act on, to alter, shift, and to work through ideas, and it just keeps going."