"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I think I got interested in making statues in the early ’90s, maybe even the mid-’80s, with figuration and statues being like the body in performance position but on a type of presentation pedestal. So this idea of statuary started after I quit doing performance."