"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"They become victimized within what we would think of as expressionism. It’s the emotion of pounding on them or twisting
off a leg that’s expressionistic, like a sculptural gesture, but in another way it’s like a brutal effect on the sculpture. And then it’s a form of abstracting, or of just directing energy at it."