"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"It was about spinning a cube. If you ride it, you’re physically moving at one speed or at one direction and perceptually it’s spinning at another speed or in an opposite direction. I guess I was thinking about the idea of the carnival and the fun house being connected to sculpture, coming out of an influence of ‘60s Happenings, and having the viewer go through an experience—the idea of making a ride as a sculpture (Mad House being like a title for a carnival ride)."