"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"In the early videotapes it’s just me as the artist making something very minimal, just using whatever was in the room, the architecture, the doors. Most of the tapes were very static—one action repeated over and over, or task-oriented. The performances and videos evolved through the ’70s. I went from being a male dressing as a female to covering my head with tape and butter. And then I start using wigs and costumes."