"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"In the ‘60s I painted paintings with my hands, flat on the ground. And then I would light them on fire and burn them. I didn’t think of this as performance or theater. I was painting and burning them—it was like a flash fire that would turn them black—and there was an action aspect to painting beyond just the action of a de Kooning."