"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I literally painted them on the ground because you could pour gasoline on them and it would stay on the surface. So there were practical reasons for painting that way, not formal ones. But there was real action—a spontaneous going into character. I didn’t plan on it. And I wasn’t thinking Living Theater or Julian Beck or any of that."