"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I literally painted them on the ground because you could pour gasoline on them and it would stay on the surface. So there were practical reasons for painting that way, not formal ones. But there was real action—a spontaneous going into character. I didn’t plan on it. And I wasn’t thinking Living Theater or Julian Beck or any of that."