"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I literally painted them on the ground because you could pour gasoline on them and it would stay on the surface. So there were practical reasons for painting that way, not formal ones. But there was real action—a spontaneous going into character. I didn’t plan on it. And I wasn’t thinking Living Theater or Julian Beck or any of that."