"From early on, very early on, I understood that art is not about what you say. It’s about these other things that you don’t say."
"I literally painted them on the ground because you could pour gasoline on them and it would stay on the surface. So there were practical reasons for painting that way, not formal ones. But there was real action—a spontaneous going into character. I didn’t plan on it. And I wasn’t thinking Living Theater or Julian Beck or any of that."