"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"During the ’60s I’d seen the Living Theater live. And of course during the Vietnam protests and political demonstrations there were all kinds of theater. I was aware of Artaud and Genet and some of Beckett’s work. I was aware of the Happenings, but I’d never really seen any of it."