"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"During the ’60s I’d seen the Living Theater live. And of course during the Vietnam protests and political demonstrations there were all kinds of theater. I was aware of Artaud and Genet and some of Beckett’s work. I was aware of the Happenings, but I’d never really seen any of it."