"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"During the ’60s I’d seen the Living Theater live. And of course during the Vietnam protests and political demonstrations there were all kinds of theater. I was aware of Artaud and Genet and some of Beckett’s work. I was aware of the Happenings, but I’d never really seen any of it."