"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"During the ’60s I’d seen the Living Theater live. And of course during the Vietnam protests and political demonstrations there were all kinds of theater. I was aware of Artaud and Genet and some of Beckett’s work. I was aware of the Happenings, but I’d never really seen any of it."