"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"What I’m really interested in is where the medium fails, so that what you are seeing is the point at which the erasure can’t happen seamlessly. If the editing was done perfectly, then you wouldn’t see where the figure was at all, but in ‘The Long Count’ triptych you always do. There’s always this trace of where the figure was, and in a way you’re seeing the failure of my hand and the failure of the medium, and that’s kind of the ghost that’s left. And it’s that point of failure that I’m really interested in."
- Paul Pfeiffer