"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"In 'Scene of the Crime...' the living room is red. It relates to the passion. It relates also to the scene, to the crime scene, to the color red that is so much associated with anger, that is so much associated with crime, that is so much associated with passion. And then the dining room, it's white, which is so much associated with richness and a more contemplated space...In that sense, 'Scene of the Crime...' is a place that is for meditation, as much as a place that is for anger."
- Pepón Osorio