"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"When this piece, 'Scene of the Crime...' was at the Whitney Museum, it almost felt as if I had taken a piece of the South Bronx out of its roots and placed it in the middle of Madison Avenue, you know? And that's my relation to space. That's my relation- one of intervening, of intervention, one of somehow just the position but at the same time trying to fit in or force it into a location more than anything else...it goes against the grain. But somehow because of its spiritual qualities it flows in itself."
- Pepón Osorio