"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"When this piece, 'Scene of the Crime...' was at the Whitney Museum, it almost felt as if I had taken a piece of the South Bronx out of its roots and placed it in the middle of Madison Avenue, you know? And that's my relation to space. That's my relation- one of intervening, of intervention, one of somehow just the position but at the same time trying to fit in or force it into a location more than anything else...it goes against the grain. But somehow because of its spiritual qualities it flows in itself."
- Pepón Osorio