"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"In a sense, the paintings move outward aesthetically. They go out into the space of the room. They’re involved in that space and certainly they involve the wall itself. So if you have something else next to the painting- if the painting were on a brick wall- that would not be good. You would have a lot of visual activity going on along the wall, and that would dilute the painting."
- Robert Ryman