"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
"The square? I began with that in the 1950s. The square has always just been an equal-sided space that I could work with. Somehow it’s become so natural to me that I just don’t think of it any other way. It doesn’t have the feeling of a landscape or some kind of window or doorway that we usually associate with rectangles. It’s just a very neutral kind of space, and it seems to feel right to me because of my approach to painting."
- Robert Ryman