"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"’The Version’ paintings were on very thin fiberglass panels. I used that material because I wanted thinness and strength, but something that was so close to the wall that it would look almost like paper. It had a nice gray-green color, which I liked, and I could use that color as part of the composition and the painting itself."
- Robert Ryman