"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"’The Version’ paintings were on very thin fiberglass panels. I used that material because I wanted thinness and strength, but something that was so close to the wall that it would look almost like paper. It had a nice gray-green color, which I liked, and I could use that color as part of the composition and the painting itself."
- Robert Ryman