"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"’The Version’ paintings were on very thin fiberglass panels. I used that material because I wanted thinness and strength, but something that was so close to the wall that it would look almost like paper. It had a nice gray-green color, which I liked, and I could use that color as part of the composition and the painting itself."
- Robert Ryman