"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Key and Cue, No. 288" (1994)
"Key and Cue, No. 288," 1994
Solid aluminum and black plastic, 51 x 2 x 2 inches
Photo by Oren Slor
Courtesy Max Protetch Gallery, New York
Solid aluminum and black plastic, 51 x 2 x 2 inches
Photo by Oren Slor
Courtesy Max Protetch Gallery, New York
"My relationship to my work is extremely verbal, extremely language-based. I am probably more language-based than I am visual, and I move through language to arrive at the visual. So I’ve always questioned whether I am really a visual artist. You get into this situation where your ‘identity’ takes over your actual being because you get stuck with whatever it is you resemble to other people- not who you are. They’re not necessarily the same thing."
- Roni Horn



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