"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"At the very core of the work, I'm thinking about the edge between life and art, and trying to have the viewer move in and out of that all the time. So, something that's very familiar, juxtaposed with something that's very unfamiliar."
WATCH: Sarah Sze: Improvisation