"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"Improvisation is crucial. I want the work to be sort of an experience of something live—to have this feeling that it was improvised, that you can see decisions happening on site, the way you see a live sports event, the way you hear jazz."
WATCH: Sarah Sze: Improvisation