"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"You can spend a lot of time conceptualizing and thinking it over, and then it's usually in the actual making and the process where there is something spontaneous that, after all that planning, you had no idea was going to happen, and when that happens is when it's interesting."
WATCH: Sarah Sze: Improvisation