"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"The early works were primarily drawn out of memory and were very different from miniatures- much looser, abstract, gestural. And then there was a desire to provide order, a structure to that. And that’s when I started experimenting with breaking the surfaces of these very precisely painted images. Everything would have its place, every little thing, and then I would go and break the borders. Images fall from within and to the borders, and there's lots of drawing done on top."
- Shahzia Sikander