"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"The Hindu aspect is very sensual, very expressionistic, very gestural, very much about the representational aspect of expression. The Muslim is simplified, very abstracted, and a very minimal aesthetic. Very much like the two poles of abstraction and representation. So there is this kind of conceptual connection where I was interested in breaking down and defining what is representational and what is not representational, what is abstract and what isn’t. I consider a lot of the miniatures as extreme abstractions because they’re extremely stylized."
- Shahzia Sikander