"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"‘Berwici pici pa’ is loaded with lips. (I call it a lip because, of all the parts, it’s the only one that sort of hangs loose toward the front. I could almost call it a kind of apron, but that wouldn’t be quite right. I think lip is closer to it.) The piece has a very flat back, but it’s got these voluptuous lips that come in and scoot out in a way that’s very different from the way my flat pieces function. This is very primitive voluptuous wandering. That’s what I wanted, a procession that you go through, when you enter the building. It’s a kind of procession that the sculpture makes with the people as they walk in."
- Ursula von Rydingsvard