"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"I had a sweater as a little girl (in the refugee camps in Germany), and it was hand-knit out of unbleached wool from sheep. It had wonderful babelkami (popcorn stitches) on it, on the grid that was at the top part of the body. And of course, in no time at all (because it was not as though I had more than one of these...it was actually the only sweater I had during all those years) it got worn on the sleeve, around the shoulders and around the belly, so that it was kind of wayward. The grid got disrupted. It went organically way-ward. It started flowing. It started falling. So I used that, or a kind of intrigue with that, in part, as a source of my imagery for this enormous bowl."
- Ursula von Rydingsvard