"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"The memory that I do have (although I’ve thought about it so much that I’m not sure what I’m projecting and what was the memory itself) is that I remember sitting on steps and having on something like a nightgown. This nightgown was made of a raw linen that was quite stiff, and it folded in ways that had almost mountainous landscapes to it- a kind of erect landscape that made all kinds of indentations and crevices, little hilltops and so on...That’s a memory that has vagueness in it, but I’ve dipped into it a lot."
- Ursula von Rydingsvard