"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"It’s almost a trick of trying to get more into the work...almost childlike attempts to get more in...to fill it up by repeating it on top of itself, like I’ve been doing with the paintings. Making a work that has more of a feeling of a chord, like a chord in music, something instead of a line or something that’s thin. Even though you only see the top surface, you begin to have a feeling that there’s a depth there. But it’s not a depth that’s really thought out. It’s like it’s physically made."
- Vija Celmins