"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I worked on this ocean image and I carved it. The thing that’s so neat is that it has movement in it, and at the same time it’s like a rock, so totally closed and solid. And it fluctuates between those two. When you’re far away from the work, for instance, you see that it looks like a little gray area that’s been worried to death. When you come up close you see that the thing has been made and carved, and I hope at some point you get a little ‘boing!’ like I still do."
- Vija Celmins