"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
"It’s not that I have found an answer, but it’s a question that still intrigues me. I suppose the first promptings or proddings to work as an artist are still there and the questions haven’t changed. One does the work and then tries to formulate a series of questions which one could possibly ask as a reason for the work. So it’s always reverse engineering in terms of the ideas."