"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"I suppose the first promptings or proddings to work as an artist are still there and the questions haven’t changed. One does the work and then tries to formulate a series of questions which one could possibly ask as a reason for the work. So it’s always reverse engineering in terms of the ideas."