"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
From "I am not me, the horse is not mine (Commissariat for Enlightenment)" (2008)
"Its timing, rhythm, and emphasis are a combination of how long images are on the screen, how long the words are on the screen, and what’s happening in the music behind it. For me it became a very interesting piece—to think of a whole series of works which consist of soundtrack and text so your reading speed is determined by the editing and the music."