"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
"The Dutch started to produce these fabrics industrially for the Indonesian markets towards the end of the nineteenth century but the industrially produced versions were not popular there, so they tried West Africa. There the fabrics were really popular and they were appropriated. And now they are associated with Africa. I like the fact that the fabrics have a multi-layered history. So I guess the point I’m trying to make is that things are not always what they seem."
-Yinka Shonibare MBE