"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I trained as a painter—and I used to draw from the nude, like most people. But then I got really politicized and started to question why I had to do nudes and I started making work about perestroika. But the world was changing, the Cold War was coming to an end, and I didn’t know quite what the implications of that would be."
-Yinka Shonibare MBE