"Often when you're in the process of realizing an image, it's going somewhere else. If that tangent starts going off in a place that feels more exciting, that's what I go with."
"I trained as a painter—and I used to draw from the nude, like most people. But then I got really politicized and started to question why I had to do nudes and I started making work about perestroika. But the world was changing, the Cold War was coming to an end, and I didn’t know quite what the implications of that would be."
-Yinka Shonibare MBE