"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I trained as a painter—and I used to draw from the nude, like most people. But then I got really politicized and started to question why I had to do nudes and I started making work about perestroika. But the world was changing, the Cold War was coming to an end, and I didn’t know quite what the implications of that would be."
-Yinka Shonibare MBE