"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
"I want the formal strategy to be part of the meaning of the work. So, from using the textiles and the fabric and what that actually means. You know, they're not just textile. There's a sort of historical content there. It then becomes difficult to separate what something looks like and what it expresses."
—Yinka Shonibare MBE