"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
"I want the formal strategy to be part of the meaning of the work. So, from using the textiles and the fabric and what that actually means. You know, they're not just textile. There's a sort of historical content there. It then becomes difficult to separate what something looks like and what it expresses."
—Yinka Shonibare MBE