"At this time in my life, I’m ready to accept or own a kind of romance and melancholy or melodrama that I wasn’t ready to reveal before. It was always there in my inner life as an artist, but I was too afraid to share it."
The following questions can be used to spark conversation before, during, and after viewing the artist's film segment. They were compiled from our Educators' Guides and Screening Toolkits. We strongly encourage active viewing strategies that involve audiences in discussion in order to anticipate and set-up the ideas in the film, clarify content, or further the ideas while watching, and gives viewers the opportunity to process and re-consider their ideas after watching. Additional resources and strategies for teaching with films and working with contemporary art can be found in Teach.
What is an icon? Can a contemporary work of art function as an icon? Why or why not? Give specific examples.
How can colors and shapes convey a narrative? Can abstract imagery tell a story? How?
Heilmann says that color can be thought of in an iconographic way. List the colors that could be considered iconographic in Heilmann's work, and the associations they bring to mind.
What kinds of juxtapositions does Heilmann make in her slideshows? In what ways are her images both representational and abstract?
Heilmann says, of some of her early paintings: "First they're objects, and then they're pictures of something." What do you think she means by this?
What are the sources of inspiration for Heilmann's work? How do different sources come together in her paintings, ceramics, and slideshows?
Heilmann says that she wanted viewers to have an antagonistic response to her early work. What do you think that comment means? Describe other artists or art movements that have "caused trouble" and challenged the status quo?
Heilmann says that, as she matured, she realized that the most important thing about doing art was communicating and having a conversation through the work. What does Heilmann communicate through her work?