"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
PREVIEW: Allan McCollum in Season 5 of "Art in the Twenty-First Century" (2009)
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Applying strategies of mass production to hand-made objects, McCollum's labor-intensive practice questions the intrinsic value of the unique work of art. McCollums installations—fields of vast numbers of small-scale works, systematically arranged—are the product of many tiny gestures, built up over time. Viewing his work often produces a sublime effect as one slowly realizes that the dizzying array of thousands of identical-looking shapes is, in fact, comprised of subtly different, distinct things.