"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
—Allora & Calzadilla
SEGMENT: Allora & Calzadilla in "Paradox"
From "Art in the Twenty-First Century" Season 4 (2007)
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“It’s kind of an excuse to research something,” says Jennifer Allora of the work with her collaborator since 1995, Guillermo Calzadilla. “It’s this chance to learn more about something in the world and be able to formulate some kind of response.” In their segment, the pair, often arguing and questioning each other’s ideas in order to reach common ground, explain two projects that took place on the island of Vieques, previously used as a bombing range by US military forces and only recently returned to the jurisdiction of Puerto Rico. “This frustration with absurdity, this nonsense, this paradox, all these things constitute part of the meaning of the work,” says Guillermo Calzadilla.
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