"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
From "Art in the Twenty-First Century" Season 4 (2007)
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“It’s kind of an excuse to research something,” says Jennifer Allora of the work with her collaborator since 1995, Guillermo Calzadilla. “It’s this chance to learn more about something in the world and be able to formulate some kind of response.” In their segment, the pair, often arguing and questioning each other’s ideas in order to reach common ground, explain two projects that took place on the island of Vieques, previously used as a bombing range by US military forces and only recently returned to the jurisdiction of Puerto Rico. “This frustration with absurdity, this nonsense, this paradox, all these things constitute part of the meaning of the work,” says Guillermo Calzadilla.