"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From "Art in the Twenty-First Century" Season 4 (2007)
Despite a family background in the visual arts (her mother worked at the famous Los Angeles-based Gemini G.E.L. print studio), Catherine Sullivan was drawn to acting and the theater. “I was always interested in the body’s capacity for signification,” she says. “What was this kind of potential for infinite transformation?” Her interests turned to stagecraft, and eventually evolved into the merging of live theater and filmmaking. Viewers follow Sullivan from a workshop with actors and students in Poland, to an exhibition space in Avignon, to a Polish-American social hall in Chicago to observe her performance-based films, many of which are influenced by popular film, real-life conflict, or ritual.