"I still think the social function of art is that kind of negative aesthetic. Otherwise there’s no social function for it."
From "Art in the Twenty-First Century" Season 2 (2003)
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In her studio, Elizabeth Murray is painting a shaped, colorful canvas with inflated, bulbous forms. “I want there to be conflict and I want there to be tension. And yet somehow I want to make these very conflicting things live together, and not just butt up against each other.” Murray has spent a lifetime developing her particular vision of zany and vibrant images, beginning with her time as a student at the Art Institute of Chicago where she was surrounded by great works of art such as the Abstract Expressionist paintings by DeKooning. “I just realized this was going to be my life,” says Murray.