"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 5 (2009)
“Art should be something really powerful,” says Jeff Koons, “but at the same time, there’s morality that comes along with that.” The segment begins in the artist’s busy studio in Manhattan, where his computer-aided but hand-made paintings and sculptures develop slowly, with a large team of dedicated assistants, in the manner of a Renaissance workshop or atelier. The segment shifts to a major retrospective at the MCA Chicago, where Koons provides a detailed analysis of two sculptures that exemplify the ethical and spiritual dimensions of art. The segment concludes outside Paris at the Chateau de Versailles, where Koons is the first contemporary American artist to have a solo exhibition, showcasing the mathematical planting of a giant flower topiary and a survey of works installed amidst the joyous decoration of the palace’s period rooms and gardens.