"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 3 (2005)
In the studio Jessica Stockholder makes sculptures on the scale of furniture, assembling objects made of brightly colored plastic. “I love plastic. And I also just love color,” Jessica Stockholder says. “Plastic is cheap and easy to buy, and my work participates in that really quick and easy and inexpensive material that’s part of our culture.” At the Rice Gallery in Houston where she is working on a large exuberant installation, Stockholder’s fascination with systems is evident in the way she arranges mundane objects in playful, surprising ways. “I’m interested in how a thinking process can meander in unpredictable ways,” she says. Like child's play, “learning that doesn’t have a predetermined end.”