"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
From "Art in the Twenty-First Century" Season 3 (2005)
“All of my work is essentially derived from some previous source,” says Josiah McElheny. “A lot of times what I’m doing is re-imaging something or transforming it slightly, but it’s always very much in connection to its source.” In his exhibition "Total Reflective Abstraction," he uses a silvered glass technique to build on the theories of Isamu Noguchi and Buckminster Fuller proposing a completely reflective “utopia." McElheny's mirrored objects relate to one another in an infinite matrix of reflections. “The definition of being a modern person is to examine yourself, to reflect on yourself and to be a self-knowledgeable person,” he explains, as he himself reflects on the meaning of his work.