"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 1 (2001)
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From paintings and videos to his comic strip featuring African sculptures, Kerry James Marshall's work unites influences from Renaissance painting and African-American traditions to question the authority of history and "reclaim the image of blackness." "Either I'm working with a set of conventions that have already been established," he says, "or I'm working against a set of conventions that have already been established." This segment is filmed in Chicago, where the artist lives, teaches and works. We gain glimpses into the domestic interiors of Marshall's immediate family—interiors which find their way into the artist's paintings, prints, and most recent sculptural and video installations.