"My approach tends to be from experiments. I need the challenge. If I know how to do something well, there's no need to do it all the time because it becomes a little monotonous. So I like to find a challenge."
From "Art in the Twenty-First Century" Season 5 (2009)
Kimsooja’s segment opens with a series of videotaped performances of the artist in crowded cities, her form acting as an unmoving axis on the horizon. Comparing her body to a needle that threads through space and time, she explains that her conceptual “system is very much rooted to the practice of sewing.” The segment focuses in depth on two recent site-specific works: an installation of 2,000 fuchsia lotus lanterns with a soundtrack of Tibetan, Gregorian, and Islamic chants, and later, an intervention at the Crystal Palace in Madrid in which rainbow-colored sunlight, diffused through diffraction grating film applied to windows, is reflected in a mirrored surface applied to the floor while a pre-recorded performance of the artist's rythmic breathing fills the space. Says the artist on her ethereal and genre-bending work: “My intention is to reach to the totality of our life in art.”