"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 3 (2005)
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Through grand scale audio-video projects in public spaces, Krzysztof Wodiczko transforms national monuments and architectural façades into “bodies” as he collaborates with communities to get people to “break the code of silence, to open up and speak about what’s unspeakable.” Born of a Jewish mother who escaped the ghetto in World War II Poland, Wodiczko has been deeply affected by the devastation of war and violence all his life. In Hiroshima, he works with tearful survivors of the atomic bomb, helping them “to open up and share with the world what is so painful” through a commemorative projection. In Tijuana, he projects the faces of women onto the spherical façade of the city’s cultural center as they tell detailed stories of being abused.