"I use a lot of repetition. And it becomes a filmic way of talking because as you put the same image after the other, even though it’s the exact identical image, everyone sees something changing from one image to the next."
From "Art in the Twenty-First Century" Season 3 (2005)
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Through grand scale audio-video projects in public spaces, Krzysztof Wodiczko transforms national monuments and architectural façades into “bodies” as he collaborates with communities to get people to “break the code of silence, to open up and speak about what’s unspeakable.” Born of a Jewish mother who escaped the ghetto in World War II Poland, Wodiczko has been deeply affected by the devastation of war and violence all his life. In Hiroshima, he works with tearful survivors of the atomic bomb, helping them “to open up and share with the world what is so painful” through a commemorative projection. In Tijuana, he projects the faces of women onto the spherical façade of the city’s cultural center as they tell detailed stories of being abused.