"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
SEGMENT: Pierre Huyghe in "Romance"
From "Art in the Twenty-First Century" Season 4 (2007)
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“As I start a project, I always need to create a world. Then I want to enter this world, and my walk through this world is the work,” says Pierre Huyghe, who lives in both Paris and New York. Huyghe’s films, installations, and public events range from a small-town parade to a puppet theater, from a model amusement park to an expedition in Antarctica. “I’m trying to be less narrative, it’s more an emotional landscape that I’m trying to reach here,” he explains. Huyghe describes how, through the documentation of his scripted realities, he is “building a kind of mythology.” Huyghe believes that his exhibitions are not the endpoint, but rather “the starting point to go somewhere else.”
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