"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 1 (2001)
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The segment follows Richard Serra as he guides the viewer through several massive installations he has done in New York, San Francisco, and Bilbao, Spain. Having worked with metal for the past forty years, Serra creates sculptures shape and stretch steel like rubber, carving intimate moments out of public spaces. "I was surprised that people who had absolutely no information about sculpture were able to enter into these pieces," says the artist. "The experience for them was fulfilling because, in some sense, it was startling, it was new, because they couldn't locate themselves."