"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From "Art in the Twenty-First Century" Season 2 (2003)
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Tim Hawkinson tinkers with everyday materials to build surprising mechanical art works. “I guess it comes from early on in childhood, a fascination with moving parts and sort of the magical,” he suggests. In his studio, Hawkinson explains how he used gears, switches, nozzles, buckets, and pie tins to build a drumming machine that captures random drips of rain, amplifies them, and organizes them into music. “It’s not even electronics. I don’t know what it is,” he admits. One of Hawkinson’s largest projects, "Überorgan," is an inflatable installation in a space the size of a football field. For a version of the artwork the artists created a score for the organ using old church hymns.