"In the paintings where it's there—the tenderness—I work for it. I'm not afraid of it. If I could put my bleeding heart in there, I would."
From "Art in the Twenty-First Century" Season 4 (2007)
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Ursula von Rydingsvard uses sculpture, in part, as a means to express the memories of her childhood. “I grew up…in the post-World War II refugee camps for Polish people in Germany…We stayed in wooden barracks…raw wooden floors, raw wooden walls and raw wooden ceilings… so somewhere in my blood I’m dipping into that source,” she says. Von Rydingsvard’s studio is filled with massive cedar sculptures, which she painstakingly constructs layer by layer. The end result is a complex and unpredictable surface for viewers to explore and experience. “My whole cedar studio is loaded with pieces that are unfinished and I need all of those things in my environment to feed me, to give me always options.”