"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From the series, "Exclusive"
Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as "Bus Riders" (1976), "Untitled Film Stills" (1977-1980), and the untitled rear screen projections (1980).
In self-reflexive photographs and films, Cindy Sherman invents myriad guises, metamorphosing from Hollywood starlet to clown to society matron. Often with the simplest of means—a camera, a wig, makeup, an outfit—Sherman fashions ambiguous but memorable characters that suggest complex lives lived out of frame. Sherman's investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green-screen technology and the latest advances in digital photography.
Producer: Ian Forster, Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Roger Phenix. Editor: Joaquin Perez. Artwork Courtesy: Cindy Sherman. Video: © 2011, Art21, Inc. All rights reserved.