"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From the series, "Exclusive"
Doris Salcedo discusses her installation for the Istanbul Biennial, describing how she wanted to create a "topography of war" that would transcend the specificity of historical events.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Bob Elfstrom. Sound: Ray Day. Editor: Paulo Padilha & Mark Sutton. Artwork Courtesy: Alexander & Bonin and Doris Salcedo.