"Drawing is very central to the way that I work because it can be blown up, taken apart.... You can just keep on pushing it, like this infinite machine...."
From the series, "Exclusive"
Florian Maier-Aichen likens his use of infrared film to an in-between state, discussing photography’s role in picturing the American West and its ability to confound past and present.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Robert Elfstrom. Sound: Ray Day. Editor: Joaquin Perez. Artwork Courtesy: 303 Gallery, New York; Blum & Poe, Los Angeles; and Florian Maier-Aichen.