"For us, the idea of having a work that has contradictions is very important—when, in affirming something, it includes itself and attacks itself. How can you put together all of these things that have nothing to do with each other? You use glue! Glue can be an idea, a word. You can use an ideological glue."
From the series, "Exclusive"
Filmed in his New York studio, artist Hiroshi Sugimoto recounts his student days studying Western philosophy (Hegel, Kant, Marx) in Tokyo, encountering Oriental philosophy (such as Zen Buddhism) in California, and his interest in the history of Modernism—all schools of thought that demonstrate "the human ability to see things in a different way."
Central to Hiroshi Sugimoto’s work is the idea that photography is a time machine, a method of preserving and picturing memory and time. Sugimoto sees with the eye of the sculptor, painter, architect, and philosopher. He creates images that seem to convey his subjects’ essence, whether architectural, sculptural, painterly, or of the natural world.
Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Mead Hunt. Sound: Merce Williams. Editor: Mary Ann Toman. Artwork Courtesy: Hiroshi Sugimoto. Video: © 2011, Art21, Inc. All rights reserved.